Play Along Piano

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SDG

Precious Lord take my hand, lead me on, let me stand. Also known from Elvis Presley.

SDG

0:43	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopraan/Alt		15	0	3	4	100%
Tenor/Bas		14	0	3	4	100%
Bass		12	0	2	3	45%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopraan/Alt		15	0	3	4	100%
Tenor/Bas		14	0	3	4	100%
Bass		12	0	2	3	45%

117. Hoe lieflijk, als Jezus de zijnen kan vinden

SDG

1:23	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		14	0	2	2	100%
T B		15	0	1	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		14	0	2	2	100%
T B		15	0	1	2	100%

When I survey the wondrous cross (TUNE: O WALY, WALY)

SDG

0:41	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		11	0	0	4	100%
T B		13	0	0	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		11	0	0	4	100%
T B		13	0	0	3	100%

Gottes Zeit ist die allerbeste Zeit. BWV 106

SDG

2:28	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		16	0	3	2	100%
		16	0	3	2	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		16	0	3	2	100%
		16	0	3	2	100%
Alto Recorder I		12	0	2	5	100%
Alto Recorder II		13	0	3	5	100%
Bass Recorder		13	0	2	4	100%
Bassoon		16	0	3	2	100%
Tenor Recorder		11	0	1	4	100%
Violoncello		16	0	3	2	100%

Het is volbracht! (variant III). Composed by Gertim

SDG

0:47	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		17	0	4	4	100%
		17	0	2	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		17	0	4	4	100%
		17	0	2	3	100%

223. Lof zij de Heer, de almachtige koning der ere.

SDG

0:57	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	1	4	100%
		14	0	1	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	1	4	100%
		14	0	1	3	100%

Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.

SDG

2:28	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		16	0	3	2	100%
		16	0	3	2	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		16	0	3	2	100%
		16	0	3	2	100%
Alto Recorder I		12	0	2	5	100%
Alto Recorder II		13	0	3	5	100%
Bass Recorder		13	0	2	4	100%
Bassoon		16	0	3	2	100%
Tenor Recorder		11	0	1	4	100%
Violoncello		16	0	3	2	100%

Het is volbracht! (variant II). Composed by Gertim.

SDG

0:45	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		16	0	6	3	100%
		20	0	5	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		16	0	6	3	100%
		20	0	5	3	100%

Erfüllet, ihr himmlischen göttlichen Flammen. BWV 1 # 3. Soprano Aria, J.S. Bach.

SDG

5:01	Est. Play Time
85	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe di caccia		21	0	6	6	100%
Continuo		22	0	7	3	99%
Soprano		19	0	7	3	59%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe di caccia		21	0	6	6	100%
Continuo		22	0	7	3	99%
Soprano		19	0	7	3	59%

1. Halleluja, lof zij het Lam

SDG

0:43	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		14	0	1	3	100%
T B		12	0	0	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		14	0	1	3	100%
T B		12	0	0	3	100%

Ik ga slapen, ik ben moe... another Dutch lullaby, but then in SATB setting.

SDG

0:22	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		8	0	0	3	100%
		14	1	0	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		8	0	0	3	100%
		14	1	0	3	100%

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